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Choreographer and dancer Anderson Gouvea needed someone to create the projected animations for his solo dance performance Farmácia, an incursion into the relationship between pharmacology and the velocities of our body, based on the works of british artist Damien Hirst, and specially his instalation "Pharmacy". The show won as Best Dance Performance in the 16th Cultura Inglesa Festival, 2012.

Design and animation: Daniel Bruson.



Short Commentaries is part film, part animation, an aesthetic investigation on vastness, paradoxes and nonsense. Based on the namesake music composed by Tiago de Mello, and being a part of Projetos Rumos Musica, curated by the Brazilian institute Itaú Cultural.

Further information at:
pequenoscomentarios.com
facebook.com/pequenoscomentarios
flickr.com/photos/vitorcervi/sets/72157629869999755/

Direction: Daniel Bruson and Vitor Cervi.
Production: Daniel Bruson, Vitor Cervi & Carolina Scalice.
Music: Tiago de Mello.
Typography: Rafael Nascimento.
3D modeling: César Zambelli Loiacono.
3D texturing: Bruno Farneze.
Curator, promotion e sponsorship: Instituto Itaú Cultural.



Art direction, cover design and animation for this spot co-produced with Jonathan Post for Sonora, a streaming music service. Really funny to revisit and illustrate all these bands.

Direction: Daniel Bruson and Luis Carone.
VFX composition: Jonathan Post.
Additional animation: Leandro Franci.




For two consecutive years, Africa agency asked us to create vector based pieces for their client Itaú bank. First we needed to illustrate the company's mission and then show their numbers and stats.

Concept and production: Ian Sampaio, Daniel Bruson and Vitor Cervi.

Additional motion design: Leandro Franci.



This video gathers a series of animated pieces created for the documentary 'Assim é se lhe parece', directed by Carla Gallo.

The film goes around the life and the production of the brazilian post-modernist artist Nelson Leirner.
The briefing received was to mark moments of the cut with some quotes, and there was a lot of freedom to conceive the images.

We based the layouts mainly on vintage propaganda and Pop Art, but also there was this idea, fundamented by feelings concerning Leirner's work, that there should be no visual identity connecting the animations, just a misplaced sense of popular and common stuff.

Concept and animation: Vitor Cervi
Additional designs: Rafael Nascimento